Speculative Painting — Disnovation Landscape

Summary

Conceived as an exercise in disnovation, this project diverts the imaginary of continuous innovation in order to explore another temporality: that of an archaic future, in which hyperconnectivity no longer produces only separation, but a renewed desire for fusion with the environment. Landscape, body, and interface are no longer opposed; they are recomposed within a single scene that is at once tender, machinic, and sensorial. Executed four-handed with the assistance of an AI-driven CNC, the painting brings slow gesture, automation, and calculation into coexistence, as though the machine itself were participating in a form of return to the world. In a context where the UN estimates that 68% of the world’s population will live in cities by 2050, and where many studies show that exposure to nature improves stress, mood, and well-being, the work imagines less an escape from technique than an attempt to rewild sensory experience from within the devices themselves.

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